April 22, 2017

jazz / funk instrumental ~ Chicago 1968


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Jazz / R&B organ-pianist, Floyd Morris ... 1926 - 1988

Always been a sucker for jazz-funk instrumentals. Cool to find this. Pleasantly surprised to dig around and find how accomplished Floyd Morris' career was. The Johnny Pate Quintet (mid-50s), Al Grey, Oscar Brown Jr, Bobby Hutcherson, Donald Byrd, Junior Parker, Little Milton, Andre Williams, Curtis Mayfield, The Staple Singers, Barbara Lewis, Sam Cooke, The Chi-Lites... Just a few artists Floyd Morris played/recorded or composed with. Floyd recorded/released about ten 45s, also an LP from 1965. 'Mellow Mood' was written by Floyd, Andre Williams, and Leo Hutton. This is the "B" side flip to 'Bee Que.'

March 12, 2017

experimental electronic / rock ~ San Francisco 1984


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The Residents of San Francisco

The Residents started out as part of a San Francisco "art collective" in the late 60s. Their first release, 'Santa Dog' was pressed in 1972. The Ralph record label put out some amazing avant-garde, experimental, electronic sounds from numerous bands.
The label office in San Francisco was on Minna Street downtown - south of Market at the time. In the early to mid-80s, I remember calling Ralph records on the phone to check the availability of records I wanted. I'd usually get a live person on the phone, always the same woman. She was always really nice and chatty. We'd chat. A few days later I'd get the latest Ralph Records, "Buy Or Die Catalog" in the mail (wish I would've kept some these catalogs). A great live band that still perform occasionally.
www.residents.com
The flip side is a cover of James Brown's, 'This Is A Man's Man's Man's World.'

February 11, 2017

rock-pop / mod beat ~ 1966


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Del in London - 1967

Del Shannon had huge lasting hits in the 60s. Though many, a bit too pop for my taste. Just the same, he'll always be remembered for his song, 'Runaway' which I've always liked.
An often overlooked Stones cover and 45 side that glimmers. The flip is, 'She was mine'.

mod beat instrumental ~ 1964


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One of the many great British beat instrumentals from The Shadows, originally recorded/pressed on the UK Columbia label. This is the US press from the same year.
The Shadows go back as far as 1958, when they started playing in the UK as 'The Drifters.' Lead guitarist Hank Marvin's relaxed mid-tempo sound I've always admired. Though with a couple exceptions, always preferred The Shadows as an instrumental band, without Cliff Richard.

Written by The Shadows, 'The Rise And Fall Of Flingel Bunt' was a top ten hit in four countries, including the UK. It was played on US radio in 1964, but never reached the top 100 in the US.
The flip side is, 'Theme For Young Lovers.'


"Before The Shadows, there had been nothing worth listening to in British music." - John Lennon

The Shadows in 1964.

left to right: John Rostill, Brian Bennett, Hank Marvin, Bruce Welch

February 8, 2017

TV soundtrack / mod jazz instrumental ~ 1966


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Recently found groovy, mod-jazz instrumental score, the b-side flip to the 'Mission Impossible' theme.
'Jim On The Move' is also on his '67 Dot label TV series soundtrack LP.

Jazz, Stage & Screen music maestro, Lalo in '65

January 12, 2017

deep soul - Birmingham, Alabama ~ 1969


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Sam Dees recorded/released about twenty 45s from 1968 to '78. He's also wrote and produced dozens of songs for others including, Aretha Franklin, Gladys Knight, The Manhattans, Whitney Houston, Larry Graham, among others.
This is the B-side flip to, 'Easier To Say Than Do.'

December 30, 2016

early group soul / bossa nova ~ New York 1962


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One of the many incarnations of The Clovers, with Roosevelt " Tippie" Hubbard singing lead, this is the original recording of 'Bossa Nova Baby'. The song was a hit for Elvis a year later in '63.
Quite fast for "Bossa Nova." Nice sax solo by King Curtis.

December 27, 2016

yé-yé pop ~ Belgium 1966


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Belgian yé-yé singer/guitarist, Ariane Buyst started playing in Brussels sometime in 1963 with her group, 'Ariane Et Les 10/20'. From '64 to 1965, the group released five EPs on the Brussels based Palette label. They played in Belgium, toured the Netherlands, even opened for Cliff Richard at the end of 1964.

Ariane Et Les 10-20 first EP from 1964

Blue-eyed soul/pop singer, Len Barry's hit, '1-2-3', which he co-wrote, was huge in 1965.
A top ten hit in four countries, by 1969 it was covered and recorded about thirty times by everyone from Ramsey Lewis to Jan & Dean, Jimmy Smith to Herbie Mann, Sarah Vaughn to yé-yé chanson singer, Annie Markan.

One of my favorites, and possibly one of the best cover versions next to Len Barry's first original, this Palette label 45 by Ariane is really magnifique. It has energy and soul. I like it because it has a production sound one hears in a lot of "northern soul" recordings, but is also very much still in the style of the classic yé-yé beat sound that was popular in Europe in the early to mid-60s.

In 1966 Ariane decided to go solo. This Palette 45 is her first recording as a solo artist. She recorded and released four other 45s before disappearing into musical history. The flip side, 'Ice Cream' she co-wrote.

December 26, 2016

mod yé-yé pop ~ Quebec, Canada 1966


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Mod Québécoise yé-yé pop fille, Jenny Rock (Janine de Bellefeuille), does her fantastic cover version of Donovan's, 'Sunshine Superman'.
The flip is, 'Noir C'est Noir ('Black Is Black' by Los Bravos)'.
This song is on her Apex label LP, 'Jenny '67' also.

December 24, 2016

prog folk-rock ~ Quebec, Canada 1975


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If you listen to, or grew up listening to 70s progressive rock, you may not have heard of the band, 'Harmonium' from Quebec, Canada. The music Harmonium produced through the 70s was equally as good as other similar sounding "Prog Folk-Rock" bands of the time. The difference is, Harmonium are French-Canadian and chose to sing in French, which may have made it difficult for wider audiences. But surprisingly, one doesn't have to know French to enjoy the feeling Harmonium's records take you on.
Listening to Harmonium's music, I often am reminded of a parallel sound in Nick Drake's music - In fact, his songs might stand up or mix well with Harmonium.

I suppose posting a 45 is really just a taste of Harmonium's sound. A lot of "Rock" from the 1970s didn't always lend itself to the format of the 45 rpm record. Many bands who produced a "Prog Folk-Rock" sound, composed music for the LP format. Listening to an LP was sort of an event. One would listen to all the songs in succession on an LP. Great bands in this genre would often lead their listeners through their compositions into the next song. They were often connected. One song would inform the next.
With exceptions, not always the case with much new music composed today. I mean, pick your favorite 2000 songs and let the iPod roll...

Although, 1970s FM radio would play songs from bands, it was not always about the "3 minute radio hit". Much like many similar sounding bands/artists of the time, i.e., Nick Drake, Yes, Genesis, Fairport Convention, King Crimson, Supertramp, Pink Floyd, etc., Harmonium were not hit makers, they were composers and LP makers.

Harmonium was an LP band and should probably be listened to best in this way. Guitarist, singer, composer, Serge Fiori was really at the core of their music, as was Serge Locat, Michel Normandeau, and Louis Valois. But the group had many contributing members during their short history.

Harmonium ~ Quebec 1976

Harmonium's music has a distinct French inspired, lush, symphonic, folk-rock sound that reflects the mid-70s like a bookmarker in place and time. Their music captures the feeling of Quebec, the landscape, and the sensibility of the Québécoise culture.
Having spent some time in Quebec myself, Harmonium's sounds are unique, melancholy, and beautiful.


'En Pleine Face' (In The Face) is the flip to 'Dixie'. Both songs are on their Celebration label LP, 'Les Cinq Saisons' (The Five Seasons) from 1975.

Not the best translation,
but I like the feeling of the song and the lyrics hold true:

"Another tour page
Oh oh oh oh

Too bad for this day
Oh oh oh oh

Melt your ice
Or change place
Melt your ice
It is me that fell in full face
What do I need to do?

We have nothing more to give ourselves
Oh oh oh oh
There's more sounds to ring
Oh oh oh oh
Melt your ice
Where else changes place
Melt your ice
It is me that fell in full face
What do I need to do?

As an old lady
Who has more charms
I'm coming to you, I come to you
As an old lady
Who has more charms
I come to you, come to you, come to you

Give me a sign
At the end of your line
I cannot hear you anymore
Where are you
I do not know
I cannot hear you anymore
Where are you
I do not know
I cannot hear you anymore
Where are you
I do not know
I cannot hear you anymore
Where are you
I do not know
I cannot hear you anymore"

December 23, 2016

rocksteady instrumental ~ Jamaica 1968


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Roland Alphonso - mid-60s

Roland Alphonso's beautiful sax playing really shines here. Backed by the Beverley's All Stars, 'Dreamland' was written by him. Recorded in Kingston, and pressed on Leslie Kong's Beverley's label, it also was pressed the same year on the UK's Pyramid label.

Many white label "pre-release" 45s out of Jamaica were pressed, given out, or sold with minimal information on the labels. At the same time, some were legitimate, promo, pre-releases that were simply given out before being pressed officially with full colored designs, logos, and musical information to be sold to the general public.
The flip side of this: '54-46 (That's My Number)' by Toots and the Maytals (also first recorded the same year).

Stock Beverley's 45 from 1968 .