The song remains the same?

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'Rickets' Special'
'Buttermilk Pt I & II'
'2120 South Michigan Ave'

Three songs, three artists, one mod riff. Who was first? I feel as if I've done some half-assed detective work with no absolute conclusion.
Case in point, three great instrumental recordings from the 60s, all with the same bass line, guitar riff, and harmonica break.

Quite curious to me are the recordings, and recording dates from all artists involved, two in fact, with different writers' credits...

Quite curious still, is the fact that I recently discovered the Rickets, a mod/psych/German rock & roll band with some very rare early 60s recordings.

The song in question, a live recording from the Rickets called 'Rickets Special', first recorded on a vintage Telefunken two track tape recorder in 1963.

(early to mid-60s Rickets)

The Rickets did release a 45 in 1964. Probably released in Germany and/or Europe only. Unfortunately I've never seen the label to check the writer's credits. Though I did find online the original 45 rpm picture sleeve.

The a-side, 'My Dear' flipped over reveals a great b-side tune, 'Rickets' Special'.



The Rickets -'Rickets Special' was apparently re-recorded and retitled, 'Action Painting' sometime between 1965-67.
This version does appear on a rare German prog/kraut-rock compilation LP from 1970 entitled,'Wir Im Scheinwerfer' (We In the Spotlight).

If this first live 1963 recording date is accurate, it would predate both the Rolling Stones' and Sly Stone's "penned versions"...

Could the Rolling Stones have heard the Rickets version in some form before 1964? It's possible.

It's also possible the Stones, and later Sly Stone "lifted or borrowed" this brilliant hook/arrangement from the Rickets, both claiming the song as their own?

Or is it possible that the Stones had already been playing their '2120 South Michigan Ave' in clubs live, before they recorded it later in 1964 with the Rickets just adopting it and recording the tune just from hearing it live?



The Rickets' "original" live tape from 1963. This does sound a bit progressive for 1963(?)

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Sly Stone spinning the sounds at KSOL radio - San Francisco 1967
photo: Micheal Ochs



It also seems odd that Sly Stone's recorded Autumn label 45 from 1965 takes writer's credit one year after the Rolling Stones recorded and released their Decca version (essentially the same tune).

Recently read that Sylvester Stewart aka 'Sly Stone' is broke and living in a large trailer somewhere in Los Angeles. Not sure how true or to what extent, but it's always sad to read about poor circumstances talented artists fall upon.

Sly Stone put his mark on music, not to mention San Francisco's musical history. One of the top first artists to help bridge, blend, and shape 60s rock and soul together.

And here, his second 45 from 1965 pressed on the San Francisco Autumn label.
But wait, this funky, mod riff sounds familiar...?

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
and again?!

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Recorded in 1964 at Chess records in Chicago - The Rolling Stones 5x5 UK Decca EP.


Note writers' credit on '2120 South Michigan Ave':
Nanker and Phlege, a pseudonym used by the Rolling Stones between 1963 and 1965.
The song title is the address to Chess records, Chicago.

Who was first? Does it really matter? Not really.
Personally, I feel the Stones may have came up with the first arrangement/riff.
I just like the song and I'm intrigued that I noticed.

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AN UPDATE:
Here are a couple of emails that may put this story to rest:

In Feb. I received an email from a guy named Ernst. Not sure if he was/is associated with the band or a former member of The Rickets:
To:ThomasSherrod

Hi Thomas,
the titel "action painting" is live-recorded in 1963
with a Telefunken Recorder 1/4" Tape.
The Titel is new recorded for the German TV-Show
"Wir im Scheinwerfer".
It`s released on vinyl LP: Label RESONO: Wir im Scheinwerfer.
5 Tracks from the Band. THE RICKETS

Look at You Tube: cicodelico
psychedelic freakout 1966/67 ricketts action painting

Cheers
Ernst
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In March I received another email from Marius.
This may be our answer...
Hi Thomas,

I found your blog entry by chance about the question, if the Stones have been influenced by the Rickets in the early 60s or even copied one of their songs.
My uncle happens to be the founder of the Rickets. He was later replaced by his brother. I recently play with the Rickets' drummer in a 60s and 70s cover band together with my father who also joined the Rickets in the late 60s till the 2000s. Since I got many records of the Rickets I'm very sure that their recording is not from 1963! As you mentioned in your blog, it sounds way to "progressive" for 1963. The number of the year is wrong. Must be from the mid 60s. Furthermore the Rickets were known to cover many Stones songs back in the day. All in all, the Stones haven't stolen the idea from the Rickets. It's the other way round I guess ;)

Have a nice day!
Marius

We may have the answer. thank you Marius!

funk / jazz instrumental - 1972

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Chuck Rainey in 1974

pop / rock ~ France 1972

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" Say thanks to life. A bird will sing. There will be music for the whole day. Say thanks to life. The moment given to us. Let's look under the vines for the rising sun.
Five minutes of love. Five minutes is enough to change your life so we love the world. We're happy. Five minutes of love is all I need to forget the sad days (Let me forget them) and like that world. It belongs to the two of us.
The sun has set. And the train has whistled. But before you go, wait a little on the platform. You tell me "think of me." You say "don't get cold." You do up my scarf. You take me into your arms.
Five minutes of love. Five minutes is enough to change your life (To change your life) so we love the world. We're happy. Five minutes of love is all I need to forget the sad days (Let me forget them) and like that world. It belongs to the two of us... "

"La voix d'un ange..."

northern soul / mid-tempo dancer ~ 1966

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Sister and brother, Inez and Charlie Foxx somewhere in the mid 60s.
This is the B-side flip to ' Come By Here '

garage rock ~ San Jose, California - 1966

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South Bay Area - San Francisco garage rock masters, the Count Five formed in San Jose, California in 1964. Recorded in Hollywood between 1965-66, this was the Count Five's last 45 of six released in 1969 on the Double Shot label. This is the b-side flip to 'Mailman'.

Latin Jazz - pop / easy listening ~ 1963

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Maestro Xavier Cugat with wife/singer, Abbe Lane

roots reggae vocal ~ Jamaica 1974

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Not a 45 this time, but a song from the 1974 Jamaican LP, 'Play Me Sweet And Nice' by Marcia Griffiths. Roots reggae sounds with some great tracks on this LP.
This song has been covered and recorded about a hundred times by everyone in all genres of music. Most know Roberta Flack's 1972 version, but I've always loved this version by Marcia Griffiths.

A tough song to cover if not done right. Many have fallen into a sappy, at times uncomfortable, emotional sound and interpretation. Marcia's version here sounds emotionally warmer and a bit less sad. She honors her feelings with more strength. Intriguing to me also because it can sound past tense, but we're never really sure...
'The First Time Ever I Saw Your Face' surprisingly was originally written in the style of a folk song in 1957 by British folk singer/songwriter, Ewan MacColl.

deep soul ~ Chicago 1968

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Don't know who she is. I've dug around over the years trying to come up with any information on this Bamboo label 45. Though Sylvia Thomas likely was from Chicago. This was her only 45 and recording released. ' So Will I ' was the first 45 in a series of about 20 released on the label.
Contrary to the St Louis label address, this was a Chicago based soul label which existed from 1968 to 1971.
Whether this Chicago label started in St Louis then moved to Chicago, or simply pressed and distributed their 45 catalog out of St Louis is anyone's guess. The Bamboo label was owned by Yolanda Hardin, mother of Mel Harden - Mel Hardin of soul singing duet, Mel & Tim - 'Backfield In Motion' also on the Bamboo label.
The flip side is 'At Last'.

pop vocal ~ 1953

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Eartha Kitt ... Jan 1927 - Dec 2008

rocksteady ~ Jamaica 1967

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The flip on this 45 is: 'Real Cool' by Tommy McCook and the Supersonics.

Treasure Isle comp LP from 1967 featuring The Jamaicans, Tommy McCook (pictured on the cover), The Techniques, and a few others.

R&B / jazz ~ New York 1962

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Not to be confused with blues singer, Bobo Jenkins, or middleweight boxing champ, Carl 'Bobo' Olson, this obscure 45 tells a short story of the man known only as Bobo, a "most famous unknown..."
An accomplished musician and rumored silent music mogul, Bobo was at the top of mid 50s "bohemian cool". He mixed with the social elite as well as the working classes, and yet his true identity is still unknown today, as it was then, to the many musicians and music lovers who mingled with him at the time.

Around 1947-48, before his rise and bit out of date, purported to be one of the few early photos of Bobo as a young man.
Al 'Dr. Horse' Pittman sums up Bobo perfectly with his Fire label 45 from 1962.

hillbilly country ~ Detroit 1950

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I first heard 'The Tattooed Lady' played during 'The Dr. Demento Show' on KFAT, a radio station out of Gilroy, California. Spent years trying to find it, mostly at record shows.

Recorded in Detroit, this is Skeet's first record and recording, pressed on 78 and 45 rpm in 1950.
Skeets was originally from Arkansas, but moved to Detroit in the early 1930s.
It's amazing this record has survived this long. The flip side is, 'Mean And Evil Blues' with Johnnie White accompaniment.
A hillbilly country gem.

Somewhere in Los Angeles - Skeets in 1954.