July 9, 2017
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May 1938 ~ November 2010
The b-side of this Shama 45 is 'Our Thing Is Through.'
Recorded/pressed first on 45 by Harmonica George (also of Chicago) in 1968, on the Toddlin' Town label. Harmonica George's version is blues.
June 24, 2017
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First pressed as a 45 on A&M in 1971, many bars/restaurants had these 7" -33 1/3s EPs (extended play) in jukeboxes through the 70s.
Rock soulster & Hammond organ composer, Lee Michaels kept his organ at the forefront of most all of his songs. Hard rock with a soul gospel sound, could argue Lee Michaels wasn't so much of a hit maker, but more of an LP artist - Longer, fluid rock-soul jams, most probably lent themselves more to the song sequenced LP format than top 40 hits.
Born in Los Angeles, Lee Michaels aka Lee Olson started out as a keyboardist/singer for the California surf band, the Sentinals in 1966. A keyboardist and guitarist, he also did session work with a lot of other musicians.
Moving to and living in San Francisco, he toured with his long time drummer, Barry 'Frosty' Smith and shared the stage with most all the SF rock bands at the time. By the late 70s, he disappeared from the music business to run his shrimp restaurant in Los Angeles.
His self-titled A&M LP, 'Lee Michaels' from 1969 is worth checking out if you like this sound.
Lee Michaels will always be one of my favorite West Coast hippys. Spark up memories of early 70s AM radio... The reality of "Free Love" gone bad?
'Do You Know What I Mean?' was Lee Michaels' only top ten hit.
May 19, 2017
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Louis Prima (1910 – 1978), trumpeter/singer, jump blues/swing bandleader, features his guitarist Ronnie James on this a-side.
Ronnie James was Louis' guitarist for two years in the early 70s. Owned by Louis, the Prima-Magnagroove record label existed out of Las Vegas from about 1962 to '72.
Great funk with a bit of cheese, backed by some fantastic drumming by Jimmy Vincent, 'Two Face' may be just that, a bit annoying perhaps in its' wah-wah goodness, but also a perfect display in exercising a funky freakout overindulgence.
The b-side is 'Oh Happy Day.'
* note: this is not heavy metal vocalist/guitarist, Ronnie James Dio.
May 15, 2017
May 12, 2017
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Anyone living through the 1970s probably remembers hearing Norman Greenbaum's huge hit, 'Spirit In The Sky.' A top ten hit around the world in 1970, it was all over the radio in the early 70s and a song with one of the most famous fuzz-guitar riffs in rock.
A fantastic song, 'Spirit In The Sky' may have overshadowed a few other great songs he composed and recorded as well. Track to track, his LPs have a rock/folk, jug-band blues feel. I still like his 'Petaluma' LP from 1972, featuring a young Ry Cooder.
Defining musical genres can be a bit of a mixed bag with the passing of time. But one could argue that Norman wrote a few other great West Coast rock "hippy anthems."
'California Earthquake' will always be a favorite of mine. Recorded at Wally Heider Studios, San Francisco, spring 1971, it never appeared on any of his LPs. Peaking at #93 in '71, it was played on the radio for a short time, but only stayed on the Billboard record chart for about six weeks.
The flip is: 'Rhode Island Red.'
Norman the goat farmer, on his farm ~ Penngrove, Northern California 1972.
May 4, 2017
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Haunting rhythmic vocal side reissue with a correct late 60s, "period-blue" Supreme label. The flip is, 'So Many Problems' by the Viceroys. The Supreme label was an offshoot/subsidiary label of producer Coxsone Dodd's Studio One label through the early 70s.
Recorded at Studio One in Jamaica in 1969, 'Whisper To Me' was originally pressed/released the same year on a blank Jamaican Estick label (also as Estic) with the B-side flip, 'I Need Love.'
If 'Whisper To Me' was ever intended to be officially released on any of Coxsone Dodd's stock, full design colored labels, it's anyone's guess...It never was at the time. Such is the case and mystery with many great Jamaican blank pre-release 45s.
Cecile Campbell joined Jamaica's, 'Soulettes' in '68 during the middle period of the group's incarnation with Rita Marley (Bob Marley's wife) and Hortense Lewis (not to be confused with the other reggae soulster, Hortense Ellis).
She recorded two other 45s, 'Breaking Up' with Jackie Estick on the Studio One label in 1968 with the flip, 'Musical Scorcher' by the Sound Dimension (also pressed on Muzik City). The other, 'Shimmering Star' which was pressed on a blank Coxsone/Studio One pre-release label about the same time. Though not sure of the flip.
Nora Dean left the group in 1969, joined/replaced then by Hortense Lewis.
April 28, 2017
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Depends on what one is searching for, but I find it difficult to find good 45s in record stores these days. Though don't always take the time to look, my persistence does pay off once in awhile.
Nice to find this second pressing Errol Dunkley 45. Originally pressed in '67, released first on the Jamaican amalgamated label without the dub-toast intro.
Errol was just 16 when it was recorded.
April 26, 2017
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Mystical perhaps, the pairing of Hollie Cook with producer/songwriter-dub/arranger extraordinaire, Mike 'Prince Fatty' Pelanconi is really a perfect match. Prince Fatty has really helped to define and contribute in creating Hollie's sound.
Also really like the fact that Hollie is keeping with the tradition of still pressing vinyl 45s of her music.
This is the b-side flip to 'Looking For Real Love.' Both songs are on her LP, 'Twice,' also worth checking out.
Vinyl, CDs, downloads...
April 22, 2017
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Always been a sucker for jazz-funk instrumentals. Cool to find this. Pleasantly surprised to dig around and find how accomplished Floyd Morris' career was. The Johnny Pate Quintet (mid-50s), Al Grey, Oscar Brown Jr, Bobby Hutcherson, Donald Byrd, Junior Parker, Little Milton, Andre Williams, Curtis Mayfield, The Staple Singers, Barbara Lewis, Sam Cooke, The Chi-Lites... Just a few artists Floyd Morris played/recorded or composed with. Floyd recorded/released about ten 45s, also an LP from 1965. 'Mellow Mood' was written by Floyd, Andre Williams, and Leo Hutton. This is the "B" side flip to 'Bee Que.'
March 12, 2017
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The Residents of San Francisco
The Residents started out as part of a San Francisco "art collective" in the late 60s. Their first release, 'Santa Dog' was pressed in 1972. The Ralph record label put out some amazing avant-garde, experimental, electronic sounds from numerous bands.
The label office in San Francisco was on Minna Street downtown - south of Market at the time. In the early to mid-80s, I remember calling Ralph records on the phone to check the availability of records I wanted. I'd usually get a live person on the phone, always the same woman. She was always really nice and chatty. We'd chat. A few days later I'd get the latest Ralph Records, "Buy Or Die Catalog" in the mail (wish I would've kept some these catalogs). A great live band that still perform occasionally.
The flip side is a cover of James Brown's, 'This Is A Man's Man's Man's World.'
March 11, 2017
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Resident guitarist (The Residents - San Francisco), writer/composer, multi-instrumentalist,
Philip 'Snakefinger' Lithman ... 1949 – 1987
March 10, 2017
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Maestro Xavier Cugat with wife/singer, Abbe Lane
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Chuck Rainey in 1974
February 11, 2017
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Del in London - 1967
Del Shannon had huge lasting hits in the 60s. Though many, a bit too pop for my taste. Just the same, he'll always be remembered for his song, 'Runaway' which I've always liked.
An often overlooked Stones cover and 45 side that glimmers. The flip is, 'She was mine'.
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One of the many great British beat instrumentals from The Shadows, originally recorded/pressed on the UK Columbia label. This is the US press from the same year.
The Shadows go back as far as 1958, when they started playing in the UK as 'The Drifters.' Lead guitarist Hank Marvin's relaxed mid-tempo sound I've always admired. Though with a couple exceptions, always preferred The Shadows as an instrumental band, without Cliff Richard.
Written by The Shadows, 'The Rise And Fall Of Flingel Bunt' was a top ten hit in four countries, including the UK. It was played on US radio in 1964, but never reached the top 100 in the US.
The flip side is, 'Theme For Young Lovers.'
"Before The Shadows, there had been nothing worth listening to in British music." - John Lennon
left to right: John Rostill, Brian Bennett, Hank Marvin, Bruce Welch
February 8, 2017
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Recently found groovy, mod-jazz instrumental score, the b-side flip to the 'Mission Impossible' theme.
'Jim On The Move' is also on his '67 Dot label TV series soundtrack LP.
February 1, 2017
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Edward Ross, aka "Little Buck", started out originally as a singer/member of Huey "Piano" Smith's Clowns in the late 50s.
As a solo artist, Little Buck recorded and released only four 45s from 1960 to '69 including this Seven B label 45. Really a perfect soul side and a brilliant vocal performance.
(*Note this is not R&B singer/guitarist Little Buck Sinegal, who has a 45 on the La Louisanne label).
The New Orleans based Seven B label released about forty two 45s from 1965 through the early 70s. The story on this song, and Little Buck himself, is tough to be completely clear on. The music/backing track was written by New Orleans soul-funk musician/composer/producer, Eddie Bo (Edwin Bocage).
First recorded/pressed in 1968 as a duet on the Seven B label, Eddie Bo & Inez Cheatham's - 'Lover And A Friend' was produced by Seven B label owner, Joe Banashek at Cosimo Matassa's studios in the French quarter of New Orleans. Eddie Bo composed and arranged the song using drummer, Bobby Williams, Louis Clark on guitar, and Paul Boudreaux on bass.
A year later, Little Buck sang over the existing, 'Lover And A Friend' backing track with different lyrics written by Huey Smith and Brenda Brandon. In 1969 it was pressed and released again on Seven B as, 'Little Boy Blue'.
The flip side is, 'Whisper My Name'.
Aside from his four solo 45 pressings, in 1968 Little Buck recorded another great two-side soul vocal on Joe Banashak's Instant label. Recorded with Huey Smith's group The Hueys, 'You Ain't No Hippie / Coo Coo Over You' displays Little Buck's distinct soul/funk style of singing on both sides. Huey Smith's co-writer and common law wife, Brenda Brandon, sings backup on 'Coo Coo Over You' along with one of Huey's on and off backup singers, Pearl Edwards* (*unconfirmed, researched deductive guess - could also be Gloria Franklin, who Huey used on other sessions at this time...).
The flip side: 'You Ain't No Hippie' I like just a bit better for it's uptempo, slightly frantic pace and timely topic. For 1968, a bit of a throwback sound and production perhaps, it almost sounds like an early 60s R&B dance record, to my ears anyhow. Little Buck calls out all the "Hippie" imposters...Though not sure if being bald makes anyone unqualified to be a Hippie!
Whoever he is, wherever he is, I love Little Buck's singing.
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January 12, 2017
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Sam Dees recorded/released about twenty 45s from 1968 to '78. He's also wrote and produced dozens of songs for others including, Aretha Franklin, Gladys Knight, The Manhattans, Whitney Houston, Larry Graham, among others.
This is the B-side flip to, 'Easier To Say Than Do.'