December 27, 2017

group soul ~ Chicago 1967

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Chicago group soul beauty - early Chi-Lites with Eugene Record singing lead. Marshall Thompson and Creadel Jones singing backup.

R&B organ instrumental ~ Chicago 1962

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R&B soul organist - Johnny 'Big Moose' Walker
June - 1927 ~ Nov - 1999

Feels like this soul jam ends too soon. Earl Hooker on guitar.

soul / blues hammond instrumental ~ NYC 1965

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The flip side: 'Bump De Bump.'
Both songs are on his 1965 Sue LP, 'Blues For Mister Jimmy'

Soul / R&B ~ Little Rock, Arkansas 1965

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Mid-tempo northern soul style dancer.
Ned Towns is apparently alive and well living, playing the blues somewhere in Las Vegas.
flip side: 'I Like Company Too'

November 13, 2017

tropical pop / lovers rock reggae ~ UK 2014

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The queen of new lovers rock reggae - West London born & tropical pop artist, Hollie Cook.

A member of the most recent incarnation of the punk band, the Slits, Hollie is the daughter of legendary Sex Pistols drummer, Paul Cook. Music runs in the family. Hollie Cook's mother sang backup with Boy George & Culture Club.
If you're interested in tropical pop, rocksteady, or a lovers rock reggae sound, Hollie Cook has three fantastic LPs out ~ all produced by Prince Fatty.

Vinyl, CDs, downloads...

October 22, 2017

West Coast Rock ~ San Francisco 1969

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Steve Miller, always with two feet in the blues especially through the 70s. In 1970 shortly after this was recorded, Steve Miller moved from San Francisco to Stinson Beach, California - about a twenty minute drive north of San Francisco. Recorded late 1969 at Wally Heider studios, San Francisco. The a-side is 'Don't Let Nobody Turn You Around'.
Both songs never charted. Both on Steve Miller Band's fourth LP, 'Your Saving Grace'.

Steve Miller practicing - Stinson Beach, California 1970. photo by Olaf Klijn

August 17, 2017

west coast surf instrumental ~ 1962

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Classic surf instrumental b-side from the band's second single.
The Sentinals were from San Luis Obispo on California's Central Coast. This ERA label 45, was reissued in 2009 on the Sundazed label with the original a-side.
The a-side flip is: 'Tor-Chula'

August 13, 2017

R&B / surf instrumental ~ Detroit 1960

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R&B instrumental group, Nick and the Soundbarriers were from Detroit, Michigan. They recorded just three 45s, including this New York Tee Pee label 45. Not always a fan of 50s/early 60s saxophone-heavy, dance instrumentals, but 'Rainbow' has a speedy, early surf, R&B dance sound that moves in the right direction.
Their first recording/45, 'Big Nick' is on the Detroit-Northwest Sound Company label, also recorded in 1960. The third, 'Freeway Hot Rod,' pressed on the NY-Fleetwood label...Other than that, can't find much more information on this band.
This is the b-side flip to: 'Spinning Wheel Twist.'

August 3, 2017

hardcore / punk rock ~ UK 2016

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Though their lineup and sound has changed over some forty years, Discharge still has a speed-sonic, truthful grind. No nostalgia here. Still hardcore. Still punk rock. Still calling out the fascist bastards who continue to shit on the world.
Though haven't followed them closely over the years, really like this recent Nuclear Blast label 45.
Mid-80s punk and metal were already mixing. Good/bad, I suspect if you asked any real punk in the late 70s or 80s how they felt about "d-beat," or metal, one might get a stare, a finger, or a possible punch. Genres of music get defined and categorized with time.
Though never considered myself a punk. Always liked Discharge. One and only time I saw them here in late-80s San Francisco, the crowd of mostly what seemed like, bike messengers(?) didn't receive them well at all. Some punk purists might disagree, always liked their "metal" leanings especially as of late. Still a hardcore thrash-fuck-you wall of sound, Discharge is alive and well in 2017.

UK's Discharge - late 70s
- Timely sounds for timely times ...
The flip side is: 'Ain't No Feeble Bastard' (live).
'New World Order' is also on their new LP/CD,
'End Of Days.'
(not downloadable-support the band!)


July 9, 2017

funk / soul ~ South Chicago 1969

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Henry Lee "Shot" Williams
May 1938 ~ November 2010

The b-side of this Shama 45 is 'Our Thing Is Through.'
Recorded/pressed first on 45 by Harmonica George (also of Chicago) in 1968, on the Toddlin' Town label. Harmonica George's version is blues.

June 24, 2017

rock / soul pop ~ 1971

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First pressed as a 45 on A&M in 1971, many bars/restaurants had these 7" -33 1/3s EPs (extended play) in jukeboxes through the 70s.

Rock soulster & Hammond organ composer, Lee Michaels kept his organ at the forefront of most all of his songs. Hard rock with a soul gospel sound, could argue Lee Michaels wasn't so much of a hit maker, but more of an LP artist - Longer, fluid rock-soul jams, most probably lent themselves more to the song sequenced LP format than top 40 hits.
Born in Los Angeles, Lee Michaels aka Lee Olson started out as a keyboardist/singer for the California surf band, the Sentinals in 1966. A keyboardist and guitarist, he also did session work with a lot of other musicians.
Moving to and living in San Francisco, he toured with his long time drummer, Barry 'Frosty' Smith and shared the stage with most all the SF rock bands at the time. By the late 70s, he disappeared from the music business to run his shrimp restaurant in Los Angeles.

Lee ~ somewhere in Northern California 1970

His self-titled A&M LP, 'Lee Michaels' from 1969 is worth checking out if you like this sound.
Lee Michaels will always be one of my favorite West Coast hippys. Spark up memories of early 70s AM radio... The reality of "Free Love" gone bad?
'Do You Know What I Mean?' was Lee Michaels' only top ten hit.

May 19, 2017

funk instrumental ~ Las Vegas 1972

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Louis Prima (1910 – 1978), trumpeter/singer, jump blues/swing bandleader, features his guitarist Ronnie James on this a-side.
Ronnie James was Louis' guitarist for two years in the early 70s. Owned by Louis, the Prima-Magnagroove record label existed out of Las Vegas from about 1962 to '72.
Great funk with a bit of cheese, backed by some fantastic drumming by Jimmy Vincent, 'Two Face' may be just that, a bit annoying perhaps in its' wah-wah goodness, but also a perfect display in exercising a funky freakout overindulgence.
The b-side is 'Oh Happy Day.'

This track is from the same 1972 recording sessions which produced the LP, 'Louis Prima with Sam Butera & the Witnesses - The Prima Generation '72.'

* note: this is not heavy metal vocalist/guitarist, Ronnie James Dio.

May 12, 2017

West Coast Rock ~ San Francisco 1971

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Anyone living through the 1970s probably remembers hearing Norman Greenbaum's huge hit, 'Spirit In The Sky.' A top ten hit around the world in 1970, it was all over the radio in the early 70s and a song with one of the most famous fuzz-guitar riffs in rock.
A fantastic song, 'Spirit In The Sky' may have overshadowed a few other great songs he composed and recorded as well. Track to track, his LPs have a rock/folk, jug-band blues feel. I still like his 'Petaluma' LP from 1972, featuring a young Ry Cooder.
Defining musical genres can be a bit of a mixed bag with the passing of time. But one could argue that Norman wrote a few other great West Coast rock "hippy anthems."
'California Earthquake' will always be a favorite of mine. Recorded at Wally Heider Studios, San Francisco, spring 1971, it never appeared on any of his LPs. Peaking at #93 in '71, it was played on the radio for a short time, but only stayed on the Billboard record chart for about six weeks.
The flip is: 'Rhode Island Red.'

Norman the goat farmer, on his farm ~ Penngrove, Northern California 1972.

May 4, 2017

rocksteady reggae ~ Jamaica 1969

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Haunting rhythmic vocal side reissue pressed on a correct late 60s, "period-blue" Supreme label. The flip is, 'So Many Problems' by the Viceroys. The Supreme label was an offshoot/subsidiary label of producer Coxsone Dodd's Studio One label through the early 70s.
Recorded at Studio One in Jamaica in 1969, 'Whisper To Me' was originally pressed/released the same year on a blank Jamaican Estick label (also as Estic) with the B-side flip, 'I Need Love.'

If 'Whisper To Me' was ever intended to be officially released on any of Coxsone Dodd's stock, full design colored labels, it's anyone's guess...It never was at the time. Such is the case and mystery with many great Jamaican blank pre-release 45s.

Cecile Campbell joined Jamaica's, 'Soulettes' in '68 during the middle period of the group's incarnation with Rita Marley (Bob Marley's wife) and Hortense Lewis (not to be confused with the other reggae soulster, Hortense Ellis).
She recorded two other 45s, 'Breaking Up' with Jackie Estick on the Studio One label in 1968 with the flip, 'Musical Scorcher' by the Sound Dimension (also pressed on Muzik City). The other, 'Shimmering Star' which was pressed on a blank Coxsone/Studio One pre-release label about the same time. Though not sure of the flip.

'The Soulettes' in 1968, left to right: Rita Marley, Nora Dean, & Cecile Campbell.
Nora Dean left the group in 1969, joined/replaced then by Hortense Lewis.

April 28, 2017

rocksteady reggae ~ Jamaica 1967

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Depends on what one is searching for, but I find it difficult to find good 45s in record stores these days. Though don't always take the time to look, my persistence does pay off once in awhile.
Nice to find this second pressing Errol Dunkley 45. Originally pressed in '67, released first on the Jamaican amalgamated label without the dub-toast intro.
Errol was just 16 when it was recorded.

The young Errol somewhere between 1965-68.

April 26, 2017

tropical pop ~ lovers rock reggae 2014

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"Tropical pop," a touch of dub, meshed with a classic 70s/80s lovers rock reggae sound, I can never get enough of Hollie Cook's music. Her musical charms can really carry one away into a pleasant hypnotic state.
Mystical perhaps, the pairing of Hollie Cook with producer/songwriter-dub/arranger extraordinaire, Mike 'Prince Fatty' Pelanconi is really a perfect match. Prince Fatty has really helped to define and contribute in creating Hollie's sound.
Also really like the fact that Hollie is keeping with the tradition of still pressing vinyl 45s of her music.
This is the b-side flip to 'Looking For Real Love.' Both songs are on her LP, 'Twice,' also worth checking out.
Vinyl, CDs, downloads...

April 22, 2017

jazz / funk instrumental ~ Chicago 1968

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Jazz / R&B organ-pianist, Floyd Morris ... 1926 - 1988

Always been a sucker for jazz-funk instrumentals. Cool to find this. Pleasantly surprised to dig around and find how accomplished Floyd Morris' career was. The Johnny Pate Quintet (mid-50s), Al Grey, Oscar Brown Jr, Bobby Hutcherson, Donald Byrd, Junior Parker, Little Milton, Andre Williams, Curtis Mayfield, The Staple Singers, Barbara Lewis, Sam Cooke, The Chi-Lites... Just a few artists Floyd Morris played/recorded or composed with. Floyd recorded/released about ten 45s, also an LP from 1965. 'Mellow Mood' was written by Floyd, Andre Williams, and Leo Hutton. This is the "B" side flip to 'Bee Que.'

March 12, 2017

experimental electronic / rock ~ San Francisco 1984

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The Residents of San Francisco

The Residents started out as part of a San Francisco "art collective" in the late 60s. Their first release, 'Santa Dog' was pressed in 1972. The Ralph record label put out some amazing avant-garde, experimental, electronic sounds from numerous bands.
The label office in San Francisco was on Minna Street downtown - south of Market at the time. In the early to mid-80s, I remember calling Ralph records on the phone to check the availability of records I wanted. I'd usually get a live person on the phone, always the same woman. She was always really nice and chatty. We'd chat. A few days later I'd get the latest Ralph Records, "Buy Or Die Catalog" in the mail (wish I would've kept some these catalogs). A great live band that still perform occasionally.
The flip side is a cover of James Brown's, 'This Is A Man's Man's Man's World.'

February 11, 2017

rock-pop / mod beat ~ 1966

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Del in London - 1967

Del Shannon had huge lasting hits in the 60s. Though many, a bit too pop for my taste. Just the same, he'll always be remembered for his song, 'Runaway' which I've always liked.
An often overlooked Stones cover and 45 side that glimmers. The flip is, 'She was mine'.

mod beat instrumental ~ 1964

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One of the many great British beat instrumentals from The Shadows, originally recorded/pressed on the UK Columbia label. This is the US press from the same year.
The Shadows go back as far as 1958, when they started playing in the UK as 'The Drifters.' Lead guitarist Hank Marvin's relaxed mid-tempo sound I've always admired. Though with a couple exceptions, always preferred The Shadows as an instrumental band, without Cliff Richard.

Written by The Shadows, 'The Rise And Fall Of Flingel Bunt' was a top ten hit in four countries, including the UK. It was played on US radio in 1964, but never reached the top 100 in the US.
The flip side is, 'Theme For Young Lovers.'

"Before The Shadows, there had been nothing worth listening to in British music." - John Lennon

The Shadows in 1964.

left to right: John Rostill, Brian Bennett, Hank Marvin, Bruce Welch

February 8, 2017

TV soundtrack / mod jazz instrumental ~ 1966

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Recently found groovy, mod-jazz instrumental score, the b-side flip to the 'Mission Impossible' theme.
'Jim On The Move' is also on his '67 Dot label TV series soundtrack LP.

Jazz, Stage & Screen music maestro, Lalo in '65

February 1, 2017

soul / funk vocal ~ New Orleans 1969

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Edward Ross, aka "Little Buck", started out originally as a singer/member of Huey "Piano" Smith's Clowns in the late 50s.
As a solo artist, Little Buck recorded and released only four 45s from 1960 to '69 including this Seven B label 45. Really a perfect soul side and a brilliant vocal performance.
(*Note this is not R&B singer/guitarist Little Buck Sinegal, who has a 45 on the La Louisanne label).

The New Orleans based Seven B label released about forty two 45s from 1965 through the early 70s. The story on this song, and Little Buck himself, is tough to be completely clear on. The music/backing track was written by New Orleans soul-funk musician/composer/producer, Eddie Bo (Edwin Bocage).
First recorded/pressed in 1968 as a duet on the Seven B label, Eddie Bo & Inez Cheatham's - 'Lover And A Friend' was produced by Seven B label owner, Joe Banashek at Cosimo Matassa's studios in the French quarter of New Orleans. Eddie Bo composed and arranged the song using drummer, Bobby Williams, Louis Clark on guitar, and Paul Boudreaux on bass.

A year later, Little Buck sang over the existing, 'Lover And A Friend' backing track with different lyrics written by Huey Smith and Brenda Brandon. In 1969 it was pressed and released again on Seven B as, 'Little Boy Blue'.
The flip side is, 'Whisper My Name'.

Aside from his four solo 45 pressings, in 1968 Little Buck recorded another great two-side soul vocal on Joe Banashak's Instant label. Recorded with Huey Smith's group The Hueys, 'You Ain't No Hippie / Coo Coo Over You' displays Little Buck's distinct soul/funk style of singing on both sides. Huey Smith's co-writer and common law wife, Brenda Brandon, sings backup on 'Coo Coo Over You' along with one of Huey's on and off backup singers, Pearl Edwards* (*unconfirmed, researched deductive guess - could also be Gloria Franklin, who Huey used on other sessions at this time...).

The flip side: 'You Ain't No Hippie' I like just a bit better for it's uptempo, slightly frantic pace and timely topic. For 1968, a bit of a throwback sound and production perhaps, it almost sounds like an early 60s R&B dance record, to my ears anyhow. Little Buck calls out all the "Hippie" imposters...Though not sure if being bald makes anyone unqualified to be a Hippie!
Whoever he is, wherever he is, I love Little Buck's singing.

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